Last week, I wrote about revising an old, retired manuscript…
Except this isn’t just revision. This is full-on rewriting. At this point, I don’t know how much of the original text and story will remain. I have a suspicion. Quite a bit of the bad guy will be hanging around. He’s sexy and scary, and terrific and terrible. The supporting characters, especially the main male character, are interesting and likely to remain largely unchanged – at least in personality.
That MC, though? She’s gotta go. She’s a pain in the ass and flat out awful. Not in the unlikable, but I still want to read about her way, either. More like in the I wanna smack her head into a wall, or throw this book across the room way. Not good. She’s due for a major overhaul.
And the plot? Holy slowpokes Batman! Let’s get this shit in gear, huh? I get that literary can be slower, but this is fucking molasses on a winter morning.
So, if it’s so much work, and such a pain in the ass, why am I doing this? After all, this was a story that got rejection after rejection, and finally got shelved in favor of a stronger piece.
Why make the choice to revise an old manuscript rather than write something new?
Oh, lots of reasons… But two really stand out…
At its core, it’s a good concept, and there are some really compelling bits in there (the bad guy in particular) that just won’t let me go.
It’s a story that is clearly pointing in a particular direction—now that I’m able to see it. Unlike the new piece rattling around in my head that is wavering between domestic thriller and romantic suspense.
After tearing the piece apart last week, I got to the even harder work of rebuilding the framework. It’s just an outline at the moment, a bare sketch with a few scenes (all the bad guy’s) left virtually untouched. But there is a foundation, a direction, a rough plot…
And it’s very different than before.
The pace is faster (thankfully), the steamy romance replaced with simmering chemistry and tension (damn it, I like my kissing books, but I think the tension better serves this story), and the main character has undergone a personality reboot—she’s still in the fledgling stages, but this woman is a vast improvement over her previous incarnation.
So now it begins… the work of digging into characters, finding their voices, and building their worlds, and then gleefully throwing havoc in their paths.