dep8hqfvyaaww7gLast week, I wrote about revising an old, retired manuscript…

Except this isn’t just revision. This is full-on rewriting. At this point, I don’t know how much of the original text and story will remain. I have a suspicion. Quite a bit of the bad guy will be hanging around. He’s sexy and scary, and terrific and terrible. The supporting characters, especially the main male character, are interesting and likely to remain largely unchanged – at least in personality.

That MC, though? She’s gotta go. She’s a pain in the ass and flat out awful. Not in the unlikable, but I still want to read about her way, either. More like in the I wanna smack her head into a wall, or throw this book across the room way. Not good. She’s due for a major overhaul.

And the plot? Holy slowpokes Batman! Let’s get this shit in gear, huh? I get that literary can be slower, but this is fucking molasses on a winter morning.

So, if it’s so much work, and such a pain in the ass, why am I doing this? After all, this was a story that got rejection after rejection, and finally got shelved in favor of a stronger piece.

Why make the choice to revise an old manuscript rather than write something new?

Oh, lots of reasons… But two really stand out…

At its core, it’s a good concept, and there are some really compelling bits in there (the bad guy in particular) that just won’t let me go.

It’s a story that is clearly pointing in a particular direction—now that I’m able to see it. Unlike the new piece rattling around in my head that is wavering between domestic thriller and romantic suspense.

After tearing the piece apart last week, I got to the even harder work of rebuilding the framework. It’s just an outline at the moment, a bare sketch with a few scenes (all the bad guy’s) left virtually untouched. But there is a foundation, a direction, a rough plot…

And it’s very different than before.

The pace is faster (thankfully), the steamy romance replaced with simmering chemistry and tension (damn it, I like my kissing books, but I think the tension better serves this story), and the main character has undergone a personality reboot—she’s still in the fledgling stages, but this woman is a vast improvement over her previous incarnation.

So now it begins… the work of digging into characters, finding their voices, and building their worlds, and then gleefully throwing havoc in their paths.

… is never done.

Let’s skip all the “how did you get here” fun… because to be honest it wasn’t fun. Though it was kinda cool. After many misadventures and a few side trips, I finally landed a literary agent. Yay! One step closer to my goal of traditional publishing.

Writing the book is the easy part. Then comes the querying for an agent. And the waiting. And the rejections. And … and … and … Patience and perseverance are required. A whole lotta both.

And the waiting wasn’t over. There was more waiting for contracts to be done. Then waiting for her edit and revision notes…

Which is the point of this post.

You think you’re done when you type “The End”? Or when you’ve done all your proofreading and revisions and had critique partners and beta readers, and…? Nope and nope.

I just completed the edits my agent suggested. There weren’t that many, and they weren’t that bad. And many of them made me bang my head into my desk wondering why I didn’t catch that stuff myself.

Next up? Putting together the whole submission package (with help from said agent). Then comes submitting to publishers. Dun-dun-DUN! The nice part about that is… I don’t have to do it! I just have to bite my nails and WAIT. Oh great. More patience.

And y’know what? When a publisher buys the book? (note I said “when” and not “if” – there’s that perseverance thing) There’s going to be more work. More revisions and edits. More tweaking and more waiting. And waiting. And then promoting. And saying “hey go buy my book!”

All while writing the next book… or editing the next book… or… Because a writer’s work is never done.